CARLAY REAM-NEAL

This podcast is hosted and co-produced by Whitney Goodman, LMFT. I was given the opportunity to work on this wonderful series through TenTwentyTwo projects, for which I format, script and cut each episode according to topic. Cleaning all audio including levelling dialogue, removing background noise, implosives and sibilance and finalizing each mix and mastering to -16 LUFS.

Assembly of each episode including implementation of all SFX and music, layout and content cut. Mix and master to -16 LUFS. Creative development and execution of HRBesties weekly bonus content episodes "HRBesties Happy Hour".

I had the wonderful opportunity to work alongside an incredible team in helping NASDAQ put together season 4 of World Reimagined. As Lead Audio Engineer, I hosted each episode's record and VO session via Riverside.fm, assembled, cleaned and cut all raw audio, picked various music pieces to fit each episode as well as incorporated a variety of SFX elements. Each episode was mixed and mastered to -16 LUFS, -1dBTP. My work on this series is through Podfly Productions LLC.

I was given the wonderful opportunity to work on season 2 of the Hurma Project Podcast as producer and post production engineer.

Audio Post Production of The Globe and Mail's 'Stress Test', season 3. Winner of the 2021 Canada Best in Business Awards - Best Audio and Visual Storytelling. Audio clean up including removal of background noise and room reverberation, clicks and implosives. General EQ and compression as well as mixing and mastering levels to -16LUFS, -1dBTP.

Audio Engineer of The Strategic Executive Show podcast series, hosted by Rich Horwath. Post production work including dialogue cleanup, mix and master to standard commercial levels as well as choosing and incorporating sound effects from SFX libraries to fit the script and overall theme of the episode.

Audio Post Production - Mix and Master of RamsayWrites' Micro Podcast Series, written by Bob Ramsay and narrated by Alex Brown. Noise reduction, removal of clicks/pops in audio, as well as general EQ and compression used specially for each episode to maintain consistency and familiarity of all episodes.

As sound designer and post engineer for this series, I am tasked with curating and incorporating all music choices for each episode that not only fits the brand of the podcast but is also cohesive throughout the season. All post work as well including dialogue cut, cleanup, mix and master. I work on this series through Podfly Productions LLC.